Q & A with Morgan Smith

Morgan Smith is a freelance writer and photographer whose work can be found in the Denver Post, Santa Fe New Mexican, Denver Business Journal, New Mexico Business Journal, El Paso Inc., New Mexico Mercury and La Voz Colorado among others.

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By Virginia Isaad

  1. Juarez has a reputation as an impoverished war-torn city and yet you’ve written about and visited places like Vision in Action, El Árbol de Vida, and Reto a la Juventud. What do you think about the fact that such places exist in the midst of such violence and poverty?

What I discovered some five years ago is that there are a handful of very heroic and dedicated people who are committed to helping others, no matter what the danger to them might be. My first encounter was with a Mexican woman named Martina Ontiveros who had lived in Santa Fe but went to Palomas to live in and volunteer at an orphanage named La Casa de Amor Para Ninos. When I asked her if she was afraid – it was very dangerous in Palomas at the time – she simply said that this was her mission. The same is true for people like Elenita Porras at Reto a la Juventud or Pastor Galvan or Dr. Vicente Pantoja or many others I have met. It’s their personal dedication that keeps these programs going.

  1. What stands out to you the most when you visit such places? Why?

The physical conditions of these places is usually not what we would expect in the US but the spirit and the sense of optimism and caring is always extraordinary and I very much enjoy being a part of it and also trying to publicize it.

  1. Through the years, how has the government’s involvement changed, if at all? Has there been an increase in donations and awareness through the media?

I don’t see any additional government presence in the areas I go to. Traveling through poor colonias in Juarez, for example, I just don’t see the presence of whatever social services they might have. Pretty much all I see is the presence of these private, non profit humanitarian groups.

That’s a neutral comment, suggesting, for example, that the government does little for the poor. On the negative side, one on going frustration is the way the Mexican customs officials hinder the work of these organizations by often blocking them from bringing in food or clothing or building materials for housing construction.

  1. Have you ever seen or heard of a place like Vision in Action? What is it about patients caring for one another that seems to work in this case?

I have probably visited Vision in Action 60 or 70 times in the last 4 plus years and am always amazed at how effective many of the patients – some like Elia who can’t even talk coherently – are at calming and consoling others. It’s evidence that even people who are deeply disturbed or have committed serious crimes can and do respond to affection and an environment of caring. This is an important lesson for our US mental facilities where there are very strict rules about patients are allowed to do.

The basis of this is Pastor Galvan and his insistence that his patients be treated with dignity and the many things he does to treat them as we would treat people without illnesses. For example, I was there on February 14 when several patients got married.

  1. Do you think if organizations like Vision in Action had governmental aid that they would sustain the system as is? What you seem to be most in awe of is how the patients help each other but if more money were to come in that would probably change. How do you feel about that?

I was a member of the Colorado House of Representatives many years and Chairman of the budget committee. As a result, I came to know many state programs in the social services area. Although funding was always important, what set the really good ones apart was leadership, not money. Vision in Action would stay the same if it had government support but only if it had the leadership of someone like a Galvan. How do you find that leadership? That’s the tough question.

Last, I would add that these characteristics – providing work which makes people feel productive, organizing the same kinds of events that “normal” people have such as the wedding I mentioned, showing affection, focusing on dignity – seem intangible as compared to, for example, therapy sessions in US facilities but they work. So Galvan is not only responsible for the survival of his patients but he has also given us some new insights on what it takes to change human behavior.

Read Morgan Smith’s previous guest post on Vision in Action here

Saving Marta by Morgan Smith

Morgan Smith lives in Santa Fe and travels to the border every month to photograph, write about and assist humanitarian programs like Vision in Action, Pastor Galván’s asylum.  Vision in Action is a private mental hospital that was founded by Jose Antonio Galvan about 18 years ago. He is a former addict who was deported from the US and then lived on the streets of Juarez until he became clean and decided to dedicate himself to helping the mentally ill. Almost all of his funds come from donations.  Smith can be reached at  Morgan-smith@comcast.net.

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Saving Marta

 

L-R: Elia, Marta and Leticia. Photo by Morgan Smith

L-R: Elia, Marta and Leticia. Photo by Morgan Smith

 

It’s a blazing hot July Sunday – 103 degrees – and I’m standing in the desert outside of Pastor José Antonio Galván’s mental asylum west of Juárez. Eight municipal police officers have arrived, most of them carrying automatic weapons. Now two of them pull a woman out of one of their cars. She is wearing only filthy underwear. Her hair is matted. This is Marta.

Earlier the police had called Pastor Galván to say that they were going to place this woman with him. She had been living on the streets of Juárez and no other facility would take her.

Fortunately, Sunday is when Dr. Vicente Pantoja, Galván’s consulting psychiatrist visits so he is able to assist. Nonetheless, when the police tell you to take someone, you do it. There’s no negotiation. As for Pantoja, he is one of only eleven psychiatrists in Juárez, a city of about 1.5 million.

Earlier, Pantoja talked about the differences between our mental health system with its rigid rules about things like the interchange between staff and patients and the Mexican system with its heavy reliance on simple human contact. I see this when Pantoja arrives and the patients rush over to hug him just as they do with Pastor Galván. I see this when they comfort each other. “Es como una familia aqui,” Pantoja says.

Several patients take Marta into the facility and soon a new Marta appears. She has been bathed by several of the women patients, wears a clean blue smock with little fish on it and her filthy, matted hair has been shaved. A male patient named Benito is gently trimming her long, cracked, dangerous looking fingernails. When he points to her broken, torn toenails, however, she shrieks and runs across the courtyard to a cement bench in the shade.

“Let her calm down.” Galván says. With her shaved head, wide shoulders and thick tattooed arms, she looks like a wild animal.

Finally a tiny patient named Elia approaches, sits next to her and puts her hand on her shoulder. Elia has a speech defect; the only word I can understand is “foto” because she likes to be photographed. Nonetheless, she has a sense of when other patients need consoling. Her older sister, Leticia – smaller and even more incoherent – joins her.

They lean towards Marta who has covered her face with her hand. We can see how well trimmed her fingernails are now but we can’t see her expression. We watch in silence as the minutes tick by. Is she about to explode? She is big enough to hurt both Elia and Leticia.

Finally her hand comes down and we can see her face. She is smiling. Maybe now she’s part of the family. This is what Pantoja was talking about. This is the environment that Galván has created, one of caring and affection, an environment of dignity.

 

About 6 weeks later, a patient named Blanca kisses Marta whose hair has partially grown out.  Photo by Morgan Smith

About 6 weeks later, a patient named Blanca kisses Marta whose hair has partially grown out. Photo by Morgan Smith